The opening track, “River Song”, is a good example of Wilson’s very personal style, starting out with a most classic piano riff in major mode, the sort of riff you might expect from any other 1977 middle-of-the-road hit single, followed by a gospel choir. But then, as Dennis’s raspy, powerful voice begins to wail about cities and pollution, the music slowly evolves into a raging, dark, almost apocalyptic clash of ultra-low voices and massive rhythmic strokes. It all moves down to a simple, quiet piano part, then back to a coda of pure electric joy.
The rest of the album is equally great, and shows what a sophisticated writer and arranger Wilson had become by then. After “River Song” come a batch of intense and brooding celebrations of rock and roll and Jesus (I don’t know the connection, but Wilson seems to do), evoking boiling hot LA friday nights and fruitless dreams of fame. The music slows down and envelops itself in cascades of synth strings and warm guitars, for a series of bittersweet, summer-tinged ballads, which shows Wilson at its rawest and most sincere, whether meditating about the dissolution of love (“Thoughts of You”) or its timeless flow (“Time”, “You and I”). One more catching ode to Mother Nature (“Pacific Ocean Blues”), a humble, moving funeral tune (“Farewell my Friend”), a sweet and refreshing love song (“Rainbows”) and there we are, at the “End of the Show”.Well, it’s been a wonderful one indeed, and just like Elliott Smith and so many others, too bad it ended so quickly. Dennis Wilson lived a life as intense as its songs, drank too much and fought too hard, and drowned in the ocean he loved so much one December day of 1983, leaving an unfinished album (“Bambu”, featured on the last reissue) and this enduring masterpiece.
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